Der Kulturkampf, ein Machtspiel zwischen Staat und katholischer Kirche, betraf und bewegte die Empfindungen der Katholiken in Deutschland, vor allem im Königreich Preußen, in den letzten Jahrzehnten des 19. Jahrhunderts wie kein anderes Ereignis. Die Kleinstadt Werne war besonders betroffen von der Auseinandersetzung zwischen Berlin und Rom, zwischen Bismarck und Pius IX.. Priestern wurde unter harten Strafen verboten, ihre pastoralen Aufgaben zu erfüllen. Das Kapuzinerkloster wurde wie alle Klöster aufgelöst. Der Historiker Karl-Heinz Schwarze ordnet die Ereignisse vor Ort in den europaweiten Zusammenhang ein. Die katholischen Gläubigen, die geschlossen ihrer Kirche die Treue hielten, widerstanden dem staatlichen Druck mit zahlreichen Maßnahmen. Reichskanzler Otto von Bismarck hatte den Konflikt ausgelöst. Dieser fand weltweit so großes Interesse, dass der Begriff in anderen Sprachen zum Fremdwort wurde. Eine weitreichende negative Folge des Kampfes war, dass Bismarck im Bündnis mit d...
Engaged Resistance : American Indian Art, Literature, and Film from Alcatraz to the NMAI (9780292726963)
From Sherman Alexie's films to the poetry and fiction of Louise Erdrich and Leslie Marmon Silko to the paintings of Jaune Quick-To-See Smith and the sculpture of Edgar Heap of Birds, Native American movies, literature, and art have become increasingly influential, garnering critical praise and enjoying mainstream popularity. Recognizing that the time has come for a critical assessment of this exceptional artistic output and its significance to American Indian and American issues, Dean Rader offers the first interdisciplinary examination of how American Indian artists, filmmakers, and writers tell their own stories. Beginning with rarely seen photographs, documents, and paintings from the Alcatraz Occupation in 1969 and closing with an innovative reading of the National Museum of the American Indian, Rader initiates a conversation about how Native Americans have turned to artistic expression as a means of articulating cultural sovereignty, autonomy, and survival.
Focusing on figures such as author/director Sherman Alexie (Flight, Face, and Smoke Signals), artist Jaune Quick-To-See Smith, director Chris Eyre (Skins), author Louise Erdrich (Jacklight, The Last Report on the Miracles at Little No Horse), sculptor Edgar Heap of Birds, novelist Leslie Marmon Silko, sculptor Allen Houser, filmmaker and actress Valerie Red Horse, and other writers including Joy Harjo, LeAnne Howe, and David Treuer, Rader shows how these artists use aesthetic expression as a means of both engagement with and resistance to the dominant U.S. culture. Raising a constellation of new questions about Native cultural production, Rader greatly increases our understanding of what aesthetic modes of resistance can accomplish that legal or political actions cannot, as well as why Native peoples are turning to creative forms of resistance to assert deeply held ethical values.
Product details
- Paperback | 297 pages
- 216 x 279 x 23mm | 1,219g
- 01 Apr 2011
- University of Texas Press
- Austin, TX, United States
- English
- 109 color and b&w illus.
- 0292726961
- 9780292726963
- 1,727,889
Download Engaged Resistance : American Indian Art, Literature, and Film from Alcatraz to the NMAI (9780292726963).pdf, available at ebookdownloadfree.co for free.
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